抜粋
Excerpt from Fine Bonsai:
Introduction
Bonsai are artistically trained, dwarfed potted plants, usually of woody species. The combination of art and horticulture synergistically creates a unique living art; some bonsai are true abstract art. Derived from two Chinese/Japanese characters, the word bonsai, correctly pronounced, bone-sigh,” can be translated literally as to plant in a tray.” Imagine, in one container you can enjoy an entire forest of maples or a seaside scene with a rock planting—these are images of bonsai. As people around the globe have embraced the art of bonsai and adapted their styles to their own native species, new forms are being established. This is good for the art of bonsai, allowing expansion and improvement.
The history of bonsai is long and complex; bonsai created in Japan prior to 1800 are thought to have been for the most part imitations of Chinese and Korean bonsai. Gradually, Japanese bonsai became differentiated from those of other countries, and between 1900 and 1950, they developed into something uniquely Japanese that could be clearly distinguished from the bonsai that had existed until that time. Bonsai as we know it today is thus a rather recent form that continues to be refined in Japan and around the world as it expands to other places.
Fine Bonsai: Art & Nature presents the beauty and art of bonsai as captured through the eyes of master photographer Jonathan M. Singer. This world-renowned art photographer is able to see beyond the species and the techniques to find the artistic essence in each bonsai.
This is not a bonsai textbook but rather a photographic collection of fine bonsai that interested Dr. Singer’s artistic eye with their foliage, flowers, carved dead wood, roots, bark texture, and other features. Viewers will appreciate the beauty Dr. Singer has highlighted, and some may be inspired to pursue the art. All will surely appreciated the fine composition of the photographs, the printing, and the bonsai’s interesting stories. The ages of the bonsai masterpieces in this book range from more that one thousand years to less than ten, showing that the actual age is not as important as the beauty and illusion of antiquity.
Dr. Singer is the only person to have photographed select bonsai from the Omiya Bonsai Art Museum in Sataima City, Japan, and the Shunka-en Bonsai Museum in Tokyo, as well as numerous other masterpieces trained by Japan’s greatest bonsai artists. Additionally, he traveled around the United States to capture many of the finest bonsai specimens to be found in the country. Bringing together the assemblage of bonsai was no small feat, and the bonsai world is indebted to Dr. Singer and the publisher for producing this beautiful book celebrating bonsai as fine art.
On March 11, 2011, the greatest earthquake to have hit Japan in modern times (and the fifth most powerful known in the world) rattled the region and moved the island of Honshu eight feet (2.4 m) eastward. Subsequently, a tsunami with waves as high as 133 feet (40.5 m), devastated the area. Nearly 16,000 people lost their lives, 6,000 were injured, and some 3,600 remain missing. More than 125,000 building were damaged or destroyed. A prominent bonsai artist lost his home and belongings, including three hundred bonsai, many of which were award-winning masterpieces. In an effort to assist the victims of the 2011 Tohoku earthquake and tsunami, the publisher will donate a portion of the proceeds of this book to the Japanese Red Cross Society.
I sincerely hope readers of this book will enjoy the beautiful art photographs as well as the detailed descriptions of the bonsai and perhaps find a heightened appreciation for the art form.
— William N. Valvanis
著者について
Jonathan M. Singer’s double-elephant folio of Botanica Magnifica is kept in the Cullman Rare Book Room at the Smithsonian Institution Libraries. Dr. Singer was named a Hasselblad Laureate Award winner (2008) and Carl Linnaeus Silver Medalist from the Swedish Royal Academy of Sciences (2009) based on his contribution marrying art with science, and to our perception and appreciation of the botanical world.” His many achievements include his appointment as Research Collaborator, Department of Botany, National Museum of Natural History, Smithsonian Institution, Washington, D.C.
William N. Valavanis has made over fifty trips to Japan where he apprenticed with well-known bonsai artists Kyuzo Murata and Kakutaro Komuro in Omiya Bonsai Village in Japan. He is the proprietor of the International Bonsai Arboretum in Rochester, New York, where he maintains a collection of classical bonsai. His is also the Publisher and Editor of International BONSAI.
