レビュー
Starred review, BOOKLIST, October 15, 2010:
After a life of riding the rails with her father, 12-year-old Abilene can’t understand why he has sent her away to stay with Pastor Shady Howard in Manifest, Missouri, a town he left years earlier; but over the summer she pieces together his story. In 1936, Manifest is a town worn down by sadness, drought, and the Depression, but it is more welcoming to newcomers than it was in 1918, when it was a conglomeration of
coal-mining immigrants who were kept apart by habit, company practice, and prejudice. Abilene quickly finds friends and uncovers a local mystery. Their summerlong “spy hunt” reveals deep-seated secrets and helps restore residents’ faith in the bright future once promised on the town’s sign. Abilene’s first-person narrative is intertwined with newspaper columns from 1917 to 1918 and stories told by a diviner, Miss Sadie, while letters home from a soldier fighting in WWI add yet another narrative layer. Vanderpool weaves humor and sorrow into a complex tale involving murders, orphans, bootlegging, and a mother in hiding. With believable dialogue, vocabulary and imagery appropriate to time and place, and welldeveloped characters, this rich and rewarding first novel is “like sucking on a butterscotch. Smooth and sweet.”
Starred review, KIRKUS REVIEWS, September 15, 2010:
“Readers will cherish every word up to the heartbreaking yet hopeful
and deeply gratifying ending.”
Starred review, PUBLISHERS WEEKLY, September 27, 2010:
"Replete with historical details and surprises, Vanderpool's debut delights,
while giving insight into family and community.”
Review, THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS, November 2010:
"Ingeniously plotted and gracefully told."
抜粋
Santa Fe Railway
Southeast Kansas
MAY 27, 1936
The movement of the train rocked me like a lullaby. I closed my eyes to the dusty countryside and imagined the sign I knew only from stories. The one just outside of town with big blue letters: manifest: a town with a rich past and a bright future.
I thought about my daddy, Gideon Tucker. He does his best talking in stories, but in recent weeks, those had become few and far between. So on the occasion when he'd say to me, "Abilene, did I ever tell you 'bout the time . . . ?" I'd get all quiet and listen real hard. Mostly he'd tell stories about Manifest, the town where he'd lived once upon a time. His words drew pictures of brightly painted storefronts and bustling townsfolk. Hearing Gideon tell about it was like sucking on butterscotch. Smooth and sweet. And when he'd go back to not saying much, I'd try recalling what it tasted like. Maybe that was how I found comfort just then, even with him being so far away. By remembering the flavor of his words. But mostly, I could taste the sadness in his voice when he told me I couldn't stay with him for the summer while he worked a railroad job back in Iowa. Something had changed in him. It started the day I got a cut on my knee. It got bad and I got real sick with infection. The doctors said I was lucky to come out of it. But it was like Gideon had gotten a wound in him too. Only he didn't come out of it. Andit was painful enough to make him send me away. I reached into my satchel for the flour sack that held my few special things. A blue dress, two shiny dimes I'd earned collecting pop bottles, a letter from Gideon telling folks that I would be received by Pastor Howard at the Manifest depot, and my most special something, kept in a box lined with an old 1917 Manifest Herald newspaper: my daddy's compass.
In a gold case, it wore like a pocket watch, but inside was a compass showing every direction. Only problem was, a working compass always points north. This one, the arrow dangled and jiggled every which way. It wasn't even that old. It had the compass maker's name and the date it was made on the inside. St. Dizier, October 8, 1918. Gideon had always planned to get it fixed, but when I was leaving, he said he didn't need it anyway, what with train tracks to guide him. Still, I liked imagining that the chain of that broken compass was long enough to stretch all the way back into his pocket, with him at one end and me at the other.
Smoothing out the yellowed newspaper for the thousandth time, I scanned the page, hoping to find some bit of news about or insight into my daddy. But there was only the same old "Hogs and Cattle" report on one side and a "Hattie Mae's News Auxiliary: Charter Edition" on the other, plus a couple of advertisements for Liberty Bonds and Billy Bump's Hair Tonic. I didn't know anything about Hattie Mae Harper, except what she wrote in her article, but I figured her newspaper column had protected Gideon's compass for some time, and for that I felt a sense of gratitude. I carefully placed the newspaper back in the box and stored the box in the satchel, but held on to the compass. I guess I just needed to hold on to something.
The conductor came into the car. "Manifest, next stop."
The seven-forty-five evening train was going to be right on time. Conductors only gave a few minutes' notice, so I had to hurry. I shoved the compass into a side pocket of the satchel, then made my way to the back of the last car. Being a paying customer this time, with a full-fledged ticket, I didn't have to jump off, and I knew that the preacher would be waiting for me. But as anyone worth his salt knows, it's best to get a look at a place before it gets a look at you. I'd worn my overalls just for the occasion. Besides, it wouldn't be dark for another hour, so I'd have time to find my way around.
At the last car, I waited, listening the way I'd been taught--wait till the clack of the train wheels slows to the rhythm of your heartbeat. The trouble is my heart speeds up when I'm looking at the ground rushing by. Finally, I saw a grassy spot and jumped. The ground came quick and hard, but I landed and rolled as the train lumbered on without a thank-you or goodbye.
著者について
Moon Over Manifest, Clare Vanderpool’s first novel,is set in the fictional small town of Manifest, Kansas, which is based on the real southeastern Kansas town of Frontenac, home of both of her maternal grandparents. Drawing on stories she heard as a child, along with research in town newspapers, yearbooks, and graveyards, Clare found a rich and colorful history for her story. Clare lives in Wichita, Kansas, with her husband and their four children.
